The Worried Writer Ep#56: Vanessa Lillie ‘Enjoy The Good Moments’
My guest today is Vanessa Lillie whose debut thriller Little Voices is out this week from Thomas and Mercer.
We talk about dealing with reviews and being read, and how Vanessa transformed from a free-writer to an outliner.
Vanessa has fifteen years of marketing and communications experience and enjoys organising bookish events in Rhode Island, where she lives. She worked as an editor for a publisher, before leaving to concentrate on her own writing.
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This month I’ve been battling with the third Crow book. I said I was almost done and I thought I was, but the ending keeps moving away from me. This is partly because there are scenes which are in the wrong place (or I’ve realised there is a better, more exciting way to order them) and that takes lots of thought and weaving together and rewriting, and partly because the ending itself got a wee bit more complicated and I needed a few more chapters than I expected. It’s nearly done, though, which is very good news as it’s due out in November!
Also, I did a talk for the lovely folk at the Borders Writers Forum. If you’re a member of the group and have tuned in today, hello and thank you, again, for having me. It was so much fun and I have great writerly chats with people after the official Q and A had finished.
One thing I wanted to talk about was somebody said that a person in their life had said something about ‘why write?’ because there were enough books in the world and every story had already been done, or something similar.
I realised this was a doubt I dealt with a long time ago and had actually forgotten that I’d once had…
There is nothing new. No new ideas. No new stories. And that doesn’t matter. The execution is what matters and, crucially YOUR VOICE. Nobody else has your POV and so your book most definitely hasn’t been done yet.
Also, who cares? Who gets to say ‘enough books’? Who has that authority? It’s not like writing books hurts anybody. This is not life or death, this is just telling stories. Who on earth has the right to tell you that you’re not allowed to tell your stories?
Also, yes, there are loads of books which have been written in the past and they are valuable and wonderful, but they are products of their time. Books written now are products of this time, this moment in history. That’s important, too.
Finally, and most importantly, think of a book that was just the right book for you at just the right time. Something you loved with a passion, something you fell into at a time you needed to escape. Think about that book and how you felt the first time you read it. It might be one you’ve gone back to many times in your life as a comfort read or one that you only read once, but it transformed your world during the time you spent in it and you are eternally grateful.
Now imagine that the author who wrote that book let self-doubt stop them. They will have felt the same fears, have heard the same arguments, they might have let that stop them and you would never have had the magical experience of reading it.
Now go a step further. There is somebody out there who needs the book that is currently inside you. You don’t know them and they don’t know you, but you are connected by this need. The book inside you is the one story, the one voice, the one moment that will give them that same perfect experience. If you don’t write your book, that reader won’t get to read it when they need it.
It’s a thought which I found massively inspiring and helpful and I hope you do, too.
In more practical news, I’m not sure I mentioned it before but I have hired my husband out of his job one day a week and he’s doing lots of stuff to free up my time such as editing the podcast and the transcription of the interview.
This links to my overall business plans, but also to my mission to write as many of the books I have inside me as possible before I shuffle off this mortal coil. Remembering that this is my purpose, my ‘why’, is very motivating, and I highly recommend delegating stuff to other people as soon as you can afford to do so. This could be paying someone to do your cleaning to free up writing time or, if you’re indie and running the publishing business side, delegating operational tasks such as book-keeping.
I had a great listener question on Twitter from Joanne Mallory about branding. Thank you!
It has inspired me to dedicate a whole episode to marketing and branding for authors next month.
If you have any questions about writing, process, procrastination or the business side of things such as marketing or publishing options, email me, leave a comment on this post, or find me on Twitter.
IN THE INTERVIEW
I’m still trialling the full transcript of the interviews (see below). I want to make the podcast more accessible for those who prefer (or need) to read, rather than listen. I would love to hear what you think! Do you like the full transcript or do you miss the ‘selected highlights’ of the old format?
Vanessa is a reformed free-writer, and she recommends the following books to learn how to outline and structure a novel.
Writing The Breakout Novel Workbook by Donald Maas
Save The Cat Writes a Novel by Jessica Brody
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